(1) He is married to (Not public).
They got married in the year 1960, he was 29 years old.
The couple are divorced.
(2) He is married to (Not public).
They got married in the year 1971, he was 40 years old.
The couple are divorced.
Elliott Kastner (January 7, 1930 – June 30, 2010)[1] was an American film producer, whose best known credits include Where Eagles Dare (1968), The Long Goodbye (1973), The Missouri Breaks (1976) and Angel Heart (1987).
Contents
Early life and education
Kastner was born to a Jewish family[2] in New York City. His father died when he was young and he was raised by his mother in Harlem.[3]
He attended the University of Miami and Columbia University. During the 1950s he was stationed with U.S. Eucom (United States European Command), in Frankfurt, Germany and Paris, France.
Career
Kastner worked in the mail room at the William Morris Agency in New York, becoming a literary agent.
He moved to Los Angeles and became a talent agent at the Music Corporation of America (MCA). When that agency merged with Decca Records, which owned Universal Pictures, Lew Wasserman, the president of MCA, made Kastner vice president of production at Universal. He worked there for two years before becoming an independent producer.
Producer
Kastner's first film as producer was Bus Riley's Back in Town (1965) based on a script by William Inge and starring Ann-Margret and Michael Parks. Inge was so unhappy with the final result he requested his name be taken off the credits and the film was not a commercial or critical success.
Jerry Gershwin
Kastner then teamed up with producer Jerry Gershwin to form Winkast Film Productions, based at Pinewood Studios in Buckinghamshire. They wound up making eleven movies together, the first of which was the highly popular Harper (1966) from a novel by Ross Macdonald and directed by Jack Smight. The screenplay was written by William Goldman who had been talking to Kastner about a film of Goldman's novel Boys and Girls Together; Goldman suggested that the Ross MacDonald Lew Archer series would make a good movie, and Kastner bought the rights.[4] Kastner then got Goldman to write a sequel The Chill, but it was never made.[5]
Kastner's third film was Kaleidescope (1966), made in England, directed by Smight with Warren Beatty and Susannah York. Kastner and Gershwin raised the finance independently, and sold it to a studio, Warner Bros. "That was the beginning of producers taking control creatively by self financing,” said his stepson Cassian Elwes, who later became a producer himself.[1]
Winkast then made The Bobo (1968), starring Peter Sellers and his then-wife Britt Ekland, and Sweet November (1968), with Sandy Duncan. Both were released through Warners, but Sol Madrid (1968) was released through MGM.
Sol Madrid was directed by Brian G. Hutton who helmed Kastner and Gershwin's next film, Where Eagles Dare (1968). The producer had managed to persuade Alistair MacLean to write an original screenplay as a vehicle for Richard Burton (it was later turned into a novel).[6] The movie was a big hit and led to Kastner adapting several other MacLean stories and working with Burton a number of other times.
Less popular was The Night of the Following Day (1969) with Marlon Brando.
Burton was meant to star in Laughter in the Dark (1969) but was fired during filming and replaced by Nicol Williamson.
Other MacLean adaptations included When Eight Bells Toll (1971), Fear is the Key and Breakheart Pass (1975). He would also reteam with Burton on several occasions - as well as working with Burton's wife, Elizabeth Taylor.
Kastner also partnered up with noted producers Alan Ladd, Jr. and Jay Kanter and together they produced the films Villain (1971), The Nightcomers (1972), Zee and Co. (1972) and Fear Is the Key (1972).
Kastner is also famous for his film adaptations of three Raymond Chandler's novels based on the exploits of one of Chandler's most famous creations, Philip Marlowe: The Long Goodbye (1973), Farewell, My Lovely (1975) and The Big Sleep (1978) the latter two both starring Robert Mitchum as Marlowe.
In 1976 Kastner produced The Missouri Breaks starring Marlon Brando and Jack Nicholson. Kastner famously got each star to commit by lying and telling them the other one had already signed.[5]
In a 1977 article Mario Puzo wrote about the Cannes Film Festival said that a group of producers regarded Kastner as "the greatest genius in the movie business... [he] has put together very big films, nearly all of which are flops. And yet he can get the money and stars to produce any movie he decides to. He does it with a phone, irresistible charm, and shameless chutzpah."[7]
Colleague Jay Kanter said Kastner's reputation in Hollywood was "Some good, some bad. He was relentless in pursuing what he wanted. I mean dogged in his pursuit.”[5] He added "If Elliott believed in some material, he'd never hesitate to put his own money into buying it and hiring writers to develop a screenplay. He was passionate about what he did, and he was a terrific salesman as well."[8]
His obituary in the Guardian stated that "Kastner was relentless in his pursuit of getting what he wanted. Mostly he wanted to entice well-known playwrights and novelists to write screenplays, or gain the rights of those works whose authors were no longer around to cajole."[3]
Later years
In the mid 1980s Kastner frequently worked with his step son, Cassian Elwes. In the 1970s he had mentored Arnon Milchan.
In 1987 Kastner and a partner bought 70% of Cinema Group Home video.[9]
In the late 1990s he bought Roger Corman's Concorde New Horizons for $100 million.[10][11]
Kastner's career was marked by a number of lawsuits, including with Mickey Rourke[12] and David McClintick,[13] and over the film Frank and Jesse.[14]
Family
He was married and divorced twice. He was the second husband of the interior designer Tessa Kennedy (m 1971), with whom he had two children, a son, Dillon and a daughter, Milica. He had been introduced to Kennedy by Warren Beatty. "The marriage worked very well," says Kennedy. "For eight years we'd only spend three or four days a month together. It wouldn't have lasted more than a year if we'd been together because we're very different and volatile." Kennedy and Kastner separated in 1995.
He was also a stepfather to Kennedy's three sons from a previous marriage: film producer Cassian Elwes, artist Damian Elwes and actor Cary Elwes.
Death
Elliott Kastner died of cancer on June 30, 2010 in London at the age of 80.[15][16][17]
Towards the end of his life he had approached David Thomson to see if he was interested in writing Kastner's biography.[18] Thomson recalled:
He was the way producers were once supposed to be—showily cynical yet deeply attached to his projects; absolutely aware that a producer had to make a lot of pictures before the trash and the triumphs got sorted out; belligerent but sensitive, tough-mouthed sometimes; arrogant and Cagneyesque, but very well read; devoted to writers and alert to children... He admitted he had been a scoundrel sometimes—you had to be—but he knew there was good work to show for it.[18]
According to one obituary he: "Was noted for his skill in bringing together writers, directors and stars for generally commercial (though sometimes surprisingly cerebral) films. He excelled in literary adaptations, from popular works such as those of Raymond Chandler and Alistair MacLean to the more esoteric output of such writers as Iris Murdoch, Vladimir Nabokov and Edna O'Brien. He also favoured tales with strong, single-minded heroes and produced films featuring such actors as Marlon Brando, Paul Newman, Jack Nicholson, Robert Mitchum, Burt Reynolds and Richard Burton."[8]
In 2014 it was announced a deal had been struck to release all of his films on DVD.[19]
Filmography
Bus Riley's Back in Town (1965)
Harper (1966) - with Jerry Gershwin
Kaleidoscope (1966) - with Jerry Gershwin
The Bobo (1967) - with Jerry Gershwin
Sweet November (1968) - with Jerry Gershwin
Sol Madrid (1968) - with Jerry Gershwin
Where Eagles Dare (1968) - with Jerry Gershwin
The Night of the Following Day (1968) - with Jerry Gershwin
Laughter in the Dark (1969)
Michael Kohlhaas - Der Rebell (1969) - executive producer - with Jerry Gershwin
Phantom India (1969) (TV)
Michael Kohlhaas (1969) - executive producer - with Jerry Gershwin
The Walking Stick (1970) - with Alan Ladd Jnr
The Devil's Widow (1970) AKA Tam-Lim - with Jerry Gershwin
A Severed Head (1970) - with Alan Ladd Jnr
When Eight Bells Toll (1971) - with Jerry Gershwin
Villain (1971) - executive producer - with Alan Ladd Jnr
The Nightcomers (1971) - with Alan Ladd Jnr
Cry for Me, Billy (1972)
Fear Is the Key (1972) - executive producer - with Jay Kanter and Alan Ladd Jnr
Zee and Co. (1972) - executive producer - with Jay Kanter and Alan Ladd Jnr
The Long Goodbye (1973) - executive producer
Jeremy (1973)
Cops and Robbers (1973)
11 Harrowhouse (1974)
Rancho Deluxe (1975)
Farewell, My Lovely (1975)
Russian Roulette (1975) - executive producer
Dogpound Shuffle (1975)
92 In The Shade (1975) - executive producer
Breakheart Pass (1975) - executive producer - with Jerry Gershwin
The Missouri Breaks (1976)
Swashbuckler (1976)
Black Joy (1977)
The Stick Up (1977) - executive producer
Equus (1977)
A Little Night Music (1977)
The Big Sleep (1978)
Absolution (1978)
The Medusa Touch (1978) - executive producer
North Sea Hijack (1979)
Yesterday's Hero (1979)
Goldengirl (1979)
Mr. Horn (1979) (TV movie)
The First Deadly Sin (1980) - executive producer
Death Valley (1982)
Man, Woman and Child (1983)
Oxford Blues (1984) - raised money with his step son Cassian Elwes[20]
Garbo Talks (1984)
Nomads (1986)
Heat (1986) - uncredited
Angel Heart (1987)
White of the Eye (1987)
Zombie High (1987)
The Blob (1988)
Jack's Back (1988) - uncredited
Homeboy (1988)
Zits (1988)
A Chorus of Disapproval (1989) - executive producer
Never on Tuesday (1989)
The Last Party (1993) - executive producer
Frank and Jesse (1994)
Love Is All There Is (1996)
Sweet November (2001)
Opa! (2005)
Unmade films
The Children of Sanchez (1962)[21]
Flight into Camden from novel by David Storey (1962)[22]
Hanno's Doll with Jane Fonda and Stanley Kramer (1962)[23]
adaptation of Boys and Girls Together (1966) - to be directed by Sydney Pollack[24]
The Telephone Book an original script by Harry Cohn (1966)[25]
Sard Harker based on a book by John Masefield[25]
Fruit of the Poppy by Robert Wilder[25]
Chow Charlie Babybased on novel by David Dodge[25]
The Violent Land a western to be directed by Brian Hutton[25]
Revolutionary Road based on novel by Richard Yeates[25]
musical adaptation of Treasure Island for Cinema Center Films (1968)[26]
The Chill (1967) - sequel to Harper[27] - at one stage to be directed by Sam Peckinpah[28]
Rose of Tibet (late 1960s)[28]
Hall of Mirrors (late 1960s)[27]
Caribbean (late 1960s)[27]
The Violent Land (late 1960s)[27]
Hive of Glass (late 1960s)[27]
Sard Harder (late 1960s)[27]
Confidence Man (late 1960s)[27]
adaptation of Gore Vidal's Julian with script by Vidal (1968)[29]
adaptation of The Forty Days of Musa Daugh (1969)[30]
The Pictures of Fidelman (1971) based on novel by Bernard Malmud[31]
Sleep is for the Rich based on novel by Donald MacKenzie (1972)[32]
The Boy Who Invented the Bubble Gun (1973)[33]
Untitled Tony Bennett/Ruby Braff-George Barnes Quartet Documentary aka This Funny World (working title) (1973)
Gunfighters (1977)[34]
Serpentine based on life of Charles Sobhraj (1977)[35]
adaptation of The Deer Park by Norman Mailer (1988)[36]
adaptation of book Indecent Exposure (1987)[37][38]
Jericho with Marlon Brando (1987)[39]
The Madman's Tale based on novel by John Kaztenbach (2004)
Theatre credits
Two Weeks Somewhere Else by Herman Raucher (1966)[40]
Marilyn! The Musical (1983)[41]