Genealogy De la Rive Box » Maximilien Henry Eugène "Maximiliano Eugenio; Max Eugenio;Henry; Maximiliano Enrique Eugenio Auzó" Auzon (1857-1936)

Personal data Maximilien Henry Eugène "Maximiliano Eugenio; Max Eugenio;Henry; Maximiliano Enrique Eugenio Auzó" Auzon 

Source 1

Household of Maximilien Henry Eugène "Maximiliano Eugenio; Max Eugenio;Henry; Maximiliano Enrique Eugenio Auzó" Auzon

(1) He is married to Maria Marcelina Servat.

They got married before 1885.


Child(ren):


Event (Residence) about 1885 in Buenos Aires, DF, Argentina : Calle de San Martin 276Buenos Aires, DF, Argentina.


(2) He is married to Petrona Gregoria Pérez.

They got married on October 27, 1887 at Buenos Aires, DF, Argentina, he was 30 years oldBuenos Aires, DF, Argentina.Source 5


Child(ren):

  1. Edgardo Eugénio Auzón  1890-> 1927 
  2. ... Auzon  < 1895-< 1895

Event (Residence) about 1891 in Adrogué, Buenos-Aires, Argentina .


Notes about Maximilien Henry Eugène "Maximiliano Eugenio; Max Eugenio;Henry; Maximiliano Enrique Eugenio Auzó" Auzon

Fallecimiento: JBdAuzon (xii-1928) - Gracias al Sr.Carlos Gonzalez Auzón para esta información (pers. comm. 27-3-2017)

Maximiliano Eugénio Auzón crítico de arte español figura en :
" Por María Gainza
Es la mañana del 25 de diciembre de 1891. Refugiadas del sol, las familias porteñas atraviesan una Navidad aletargada. Una fila de carruajes sale rumbo a las afueras de la ciudad. Sólo unos pocos, a los que el calor no ha dejado dormir bien, la ven pasar, pero no le dan importancia. Los carruajes llegan hasta Morón y allí se detienen en el descampado de un bosque brumoso. Se bajan varios hombres de traje y corbata e inmediatamente se separan en dos grupos. Dudan sobre los pasos a seguir, nadie parece muy seguro de qué hacer. Hasta que se deciden, redactan las actas y señalan el sitio exacto. Dos hombres, que hasta ahora habían permanecido en el interior de sus carruajes, descienden, se quitan sus sacos, arremangan sus camisas blancas y toman las armas. Los sorprende el peso de las mismas: nunca antes habían sostenido un sable entre sus manos. Son hombres de pluma y de pincel.

Los duelistas son, por un lado, Eduardo Schiaffino, conocido pintor argentino, y por el otro, Maximiliano Eugenio Auzón, ignoto pintor de marinas y crítico de profesión, nacido en España y afincado en Buenos Aires hace más de veinte años. Están allí para dirimir una batalla moral: una discusión sobre arte que han sostenido durante varias semanas en sus respectivos periódicos. Y ahora sí, a los sablazos, a la europea, digamos, van a poner fin a la disputa sobre si existe o no un arte nacional. Podrían haber elegido un facón, ya que de nacionalismos se trata, pero cuanto más lejos el adversario, mejor. En el primer asalto, los sables dibujan torpes zetas en el aire pegajoso de la mañana. En el segundo asalto, el crítico Auzón hiere la mano del pintor Schiaffino. El combate se interrumpe, las ofensas se retiran, pero las ideas persisten."
https://www.pagina12.com.ar/diario/suplementos/radar/9-6961-2011-04-10.html

Note: Carlos Gonzalez Auzon [Pers.com. 6-8-2020] comments: " An article in a pseudo scientific magazine was published on this event, with a lot of false and unchecked information about what really happened. The background is the following: Eduardo Schiaffino was the founder of the Museo Nacional de Bellas Artes (National Museum of Fine Arts) here in Buenos Aires. Therefore he is sort of a hero, perhaps well-deserved, for creating what latter would become one of the biggest and prestigious art collections in Latin America. This is similar to what happens with a country’s national heroes. They are usually perceived as saints, immaculate perfect beings, without errors or vices. This work projected Maximilian like the liberal, sepoy antihero, who despised the country and wanted to deny its essence or existence, handling it over foreign powers. The same happened to all of his generation, mostly attacked from the authoritarian left (Communist party) and the authoritarian right (Peronismo). Both sides are sort of “extreme nationalists” here, so they hate everything European, North American, and so on. So this nationalistic investigator published this paper with unchecked or straightly false information. Then Rafael Spregelburd (one of the most intelligent and educated guys I’ve known of in the artistic and cultural argentinian sphere) wrote a theatrical work and played it, representing the nationalistic and europeanist views, always in conflict in my country, both characters in a monolog named “‘Apátrida”, and very well-received by the critic https://www.lanacion.com.ar/espectaculos/teatro/apatrida-nid1476467/amp."

Vease también / For more on M H E Auzón as :
-Dueling godfather : https://www.evernote.com/shard/s106/sh/5b9aea20-7384-4d52-881a-f405077e0109/70d1565d1f0eff29bf1e1686e23e0658
- Author under the penname “A.Zul de Prusia” : https://www.evernote.com/shard/s106/sh/4b597910-34cd-4cc6-a78e-cd9919d30598/c91ee661f4862ff3923738912499e49f
- Literary Critic at “Sud America” newspaper : https://www.evernote.com/shard/s106/sh/1a0b28ef-bc69-41ab-b39c-5f8039ab5140/fd4db6a4289eab78c54f4c3ddd339781 https://www.evernote.com/shard/s106/sh/a461fb7f-044b-4b01-aa09-3c2f2ed694ac/66d3cbbb805eec35d82443a5d5ccbea3
- Art critic at “La Tribuna” newspaper : https://www.evernote.com/shard/s106/sh/57bb1fcf-a7e4-42f3-bdc0-b1e58d8dbe29/05f48df24710d8ac6a44b101a877fbe3
- Painter : https://www.evernote.com/shard/s106/sh/24e5a5b9-e105-4592-bffa-86acee07b8c1/8520c307242da2de5006ecb6a0eb27c5
- Translator :( https://www.evernote.com/shard/s106/sh/123b8e2f-ae89-4e70-8973-cdd9c51df90c/8c4b1d5a406f58b443e4e1f874555edb
- Photographer : https://www.evernote.com/shard/s106/sh/0bf1860f-8993-42c2-b6de-f37dd88500f7/9e79545292558b61e1ffbc33e81f2b3c
- Character in a successful and controversial play : https://www.evernote.com/shard/s106/sh/d9fbce68-7b5c-48e4-9b5b-e25a82df00f8/01d9dd41fcbdb4870879c4a54020a29c

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Timeline Maximilien Henry Eugène "Maximiliano Eugenio; Max Eugenio;Henry; Maximiliano Enrique Eugenio Auzó" Auzon

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Ancestors (and descendant) of Maximilien Henry Eugène Auzon

Jean Auzon
< 1805-± 1847
Azelia Victoria
< 1810-> 1856
Henderik "Henri" Box
1797-1872
Fortunata Ernesta Fani Marinoni
1810-1852
Henri Auzon
1829-> 1918
Julia Box
1840-1928

Maximilien Henry Eugène Auzon
1857-1936

(1) < 1885

Maria Marcelina Servat
± 1864-1885

Marcos Octavio Eugenio Auzón
1884-1887
(2) 1887

Petrona Gregoria Pérez
± 1870-> 1936

Edgardo Eugénio Auzón
1890-> 1927
... Auzon
< 1895-< 1895

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    Sources

    1. 2º Censo Nacional, Argentina, 31 bis [FamilySearch 9/28], 1895
    2. Acte de naissance, Mazères-Lezons, Pyrénées-Atlantiques, vue 13 / 80, 1857
    3. Boletín Oficial de la República Argentina, ..., April 12, 1915
    4. Boletín Oficial de la República Argentina, 1936 / 1ra sección: p.2, December 4, 1936
    5. Parroquia de Balvanera: Libro de matrimonios, Buenos Aires, Nr 502 [FamilySearch image 573/682]

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    Louk Box, "Genealogy De la Rive Box", database, Genealogy Online (https://www.genealogieonline.nl/genealogie-de-la-rive-box/I3764.php : accessed June 23, 2024), "Maximilien Henry Eugène "Maximiliano Eugenio; Max Eugenio;Henry; Maximiliano Enrique Eugenio Auzó" Auzon (1857-1936)".